elstree-1976

I saw Elstree 1976 with a friend at the film space PhilaMOCA on Friday night. They only had two showings and the very low attendance surprised me – could have been lack of promotion but Star Wars fans can usually find out about these kinds of things…

In any case, it was a pleasure to have a private screening of a very interesting film. The film gets its title from a film studio in London called Elstree where many interior scenes from Star Wars (and some from Empire) were shot. In 1976 London, casting agencies were filling bit parts and extras for “another sci-fi film” that became what we know today as Star Wars.

Elstree 1976 provides brief but very fascinating oral histories of a half dozen actors who thought they were doing just another week’s work for the casting office only later to realize that the project became Star Wars.

Some of the people who appeared in the film just wandered into a casting call by following flyers in Soho while others were career actors.

The film explores how the experience affected and continues to affect their lives – for better or worse. It also affords us a glimpse into a very different time in filmmaking and prompts us to wonder why and how Star Wars changed every aspect of not only the sci-fi genre, but movie-making in general.

In all honesty I could watch an 8-part series of one hour episodes of this kind of stuff the way director John Spira put it together.

The film uses very few copyrighted images and footage of the film shown is a handful of frames looped together like cinema quality moving gifs.

There are also very short interludes of slightly moving stills of recreated hallway shots of bored Stormtroopers but they do not seem like “dramatizations” – they simply keep the color palette consistent for the film and seem to convey the “no big deal” attitude that perhaps contributed significantly to Star Wars masterfully achieving its “lived-in” look.

The attention to detail will surprise even those who have memorized Star Wars – for example, we get to know some lady in the Cantina who looks like she wandered off the set of the Rocky Horror Picture Show. We learn that the guy who stumbled into the role of the “you don’t need to see any identification” Sandtrooper also found himself in John & Yoko’s Bed-in in the Amsterdam Hilton. The guy who played Greedo thought George Lucas was a grip or an assistant and asked him bring him a coffee when he came to audition.

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And, of course, there’s a part about a Y-wing fighter reading his lines that will forever change the way you watch that scene.

Elstree 1976 breaks Star Wars down to what it is – storytelling.

I watched the film with the hopes of being a fly on the wall in Elstree studios in 1976 – and the production stories are all very interesting don’t get me wrong about that – but after the film, my friend and I ended up talking more about the actors’ lives after Star Wars than Star Wars itself.

 

Everyone who grew up on Star Wars should watch this documentary at some point. It would be something very nice to watch on a Sunday afternoon.